This tutorial demonstrates in detail how to make an underbust or waist cincher Victorian corset using a synthetic sport mesh. Mesh corsets were made in the late Victorian, but they were constructed using strong, natural-fiber mesh, like linen canvas for embroidery. Heavy-duty sport mesh is a much more economical choice and works very well. Be sure to choose a mesh that is described for heavy-duty use, which has a mesh hole size of no more than 1/8″.
When at a future date I make a mesh corset using natural fiber, I will take detailed photos and describe any differences in the construction.

The corset shown is a commissioned tight-lacing corset, with an 18″ waist when fully closed. The mesh is a heavy duty sport mesh. The boning channels are made from black coutil. The 8″ busk is backed. The re-enforcement is high quality polyester double-satin ribbon.
Piecing for a mesh corset is unlike piecing for any other kind of corset. I want to place the boning along each seamline, like with a normal corset. It will need to be cased in coutil, and that coutil is also needed to secure the mesh in such a way that it does not tear free. At scale size (graph paper) I drafted up a normal, vertical-panel underbust corset.
I decided to make 3/4″ wide (finished width) coutil strips for the boning and mesh anchoring. The center of that 3/4″ is the location of the seam line on a standard pattern, so to create the boning panels I removed 3/8″ from both sides of each normal vertical panel developed at scale. Between each of those mostly-normal patterns, I created a 3/4″ wide strip panel. Thus, the final pattern has 13 panels per side. The “normal” 6 are mesh, and each mesh panel is couched with perfectly straight coutil panels.
I decided that rolling over the mesh and coutil together would create a strong seat for the mesh, so the coutil panels have 5/8″ seam allowance and the mesh panels have 1.5″ seam allowance.
The three following images are the entire pattern for the corset. Sorry for the poor quality of the images. They are drawn in pencil, and the lighting was not ideal. The right-most panel on the top image is the grommet panel at the back of the corset. The left-most panels on the third image are for the busk.
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